Hansika-Motwani-Money-Hai-To-Honey-Hai

Hansika Motwani was left in tears after her fellow actors taunted her that something is going between her and Aftab.

According to some Indian newspaper reports, the sexy teenager was left shedding buckets of tears on the sets of “Money Hain Tho Honey Hain”. It is believed that she was reportedly pestered and asked about the nature of relationship with her Bollywood Co-star Aftab Shivdasani as; he was repeatedly going into hansika’s room on more than one occasion. The taunting went to the extent that one of the crew member also told to her that, “ Did She Slept with Aftab?” and this sentence made the teenager so down hearted that she broke down into tears the moment she heard the comment.

Hansika-Motwani-Money-Hai-To-Honey-Hai

However she was consoled and calmed down by her co-star Govinda who told her this is part of being a big name bollywood star and must not worry about theses type of comments.

Hansika-Motwani-Money-Hai-To-Honey-Hai

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Reports: bollywoodpoint.com

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With many children of filmi families entering Bollywood, it would seem logical that they would be in films with their famous parents. However, this is not the case, in fact it is just the opposite; Bollywood parents are being very careful that they not be in films together with their children. Anil Kapoor, is one of those Bollywood stars that is also a parent of a new actress and he has declined offers to be in a film with his daughter Sonam.

Anil said that he has decided that for now he and Sonam will not be seen together on the big screen, “In fact, there have been 8-10 offers, but nothing that would tempt me into sharing space with her right away. Unless something really exceptional comes up, I wouldn’t like to work with my daughter at the moment. In fact, she is opposed to it much more than I am. She feels even more strongly about it. So I’d rather wait."

Source: http://Bollywood101.com

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From the pretentious “Strangers In The Night” to the murky “High On The Highway” to the bewildering “Zahir’, the spooky “Sex On The Beach” with Dino finding terror in a condom, the over cute “Lovedale” and the utterly sublime “Rice Plate” and “Gubbare” – this bouquet of 10 stories harnessed from sources that constantly mock at conventional storytelling resources leaves you stranded at the brink of a cinematic breakthrough.

Here’s a format that sneers at virtually every rule of filmmaking in India. The stories are modern and mordant, cutting and eclectic, emphatic yet vague, reverberant, refreshing and resonant. But also inconclusive and incomplete!

Like bits of music floating from a distance, these stories create a hum under the breath that never quite grows into a collective melody.

There are two stunning exceptions – “Gubbare” written by the inimitable Gulzar. The story of an aging man’s (Nana Patekar) journey into an anecdotal recreation of marital memories comes alive in Nana’s sun-bathed performance. Another is “Rice Plate”.

Add Meghna Gulzar’s “Pooranmashi” to “Gubbare” and “Rice Plate”, and we’ve the three most desirable and tempting stories.

Trouble is, “Dus Kahaniyaan” moves in and out of characters who are driven not by their environment but strictly by their inner desires. The stories therefore neither cohere nor connect together, but are interesting and often riveting in fragments.

Chalk up an outright winner in “Gubbare”, Sanjay Gupta’s gentlest work to date. But the piece de resistance of the collection is debutant director Rohit Roy’s “Rice Plate”. A miniature masterpiece about a bigoted Tamilian woman’s journey into communal tolerance it boasts of a majestic performance by Shabana Azmi.

The only story that moves away from the crippling claustrophobia of the pitiless city into the equally merciless rural hinterland in “Pooranmashi” with a strong central performance by Amrita Singh holding up the stunning story by the spine.

All the stories bend the rules. No shot lasts more than a few seconds. Every character in the 10 stories is in a hurry to get somewhere, though often they don’t seem sure of where they’re heading.

A bored wife (Mandira Bedi) sneaks off for a tryst with a lover in “Matrimony”. The twist in the pale tale is a given. You can’t have story on infidelity without turning the screw.

“Dus Kahaniyaan” should’ve started with a bang – the Gupta-Hansal Mehta co-directed “Rise & Fall”, which shows us the shocking continuity in the world of crime. As Sanjay Dutt and Suniel Shetty go gun-happy at each other’s throats two young migrant boys plot Sanjay’s assassination.

A few stories begin to tell a promising tale, but sag in their progression.

“Zahir” about a newly-single man (Manoj Bajpai) discovering a few home-truths about his pretty neighbour (Diya Mirza) never seems sure about its intentions. And what was Apoorva Lakhia thinking while directing “Sex On The Beach”?

Some stories verge on the vertiginous, with the characters caught in claustrophobic life-defying motions.

In “Strangers In The Night” a wife (Neha Dhupia) tells her husband about an erotic encounter with a rioter on a railway station. This one, as well as the Jimmy Shergill-Masumeh Makhija cut-and-cried surreal drama “High On The Highway”, convey the suffocating numbness of urban life without providing any creative furtherance to the theme of city angst.

Economy of expression and an emphatically restless editing pattern are not in themselves the greatest of virtues.

What makes “Dus Kahaniyaan” vibrant is it audacious format and styling, sometimes at the cost of substance.

But you can’t come away unaffected by the sheer innovativeness of the presentation, the pungent and punchy packaging and the sheer romance with audacity that Gupta orchestrates like a music conductor on cocaine.

Cast: Sanjay Dutt, Suniel Shetty, Arbaaz Khan, Dino Morea, Dia Mirza,Shabana Azmi, Neha Dhupia, Naseeruddin Shah, Anupam Kher, Minissha Lamba, Nana Patekar, Aftab Shivdasani, Amrita Singh, Mandira Bedi, Parmeet Sethi, Anita Hasnandani , Jimmy Shergill, Masumi, Rohit Roy, Manoj Bajpai, Mahesh Manjrekar, Neha Uberoi, Anuradha Patel,Tareena Patel

Director : Apoorva Lakhia, Hansal Mehta, Jasmeet Dhodi, Meghna Gulzar, Rohit Roy, Sanjay Gupta

Producer : Sanjay Gupta

Lyrics : Ambar Hoshiyarpuri, Panchhi Jalonvi, Virag Mishra

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